The Binding of Isaac is a hugely successful videogame, and thanks to two extremely lucrative crowdfunding efforts that netted around $8 million, you could argue that its a highly successful card game as well. The videogame fits almost too perfectly into begin turned into cardboard, with its roguelike genetics being suited to the randomness of dungeon crawler, variable bonuses and and player powers sitting well within the tabletop realm. There's around eighty thousand people who have some kind of variation of the tabletop game. So surely its extremely good because well funded games are always amazing, aren't they. I'm approaching this as someone who is away from the hype canoe sailing down the river rapids of marketing and excitement and so this is probably going to be dull in comparison. I'm also someone who is a fan of the game, and has spent many an hour running around randomly generated dungeons of blood and filth. For those unfamiliar with the videogame, you play
Some games need the players to sing, whether your are in the realms of social deduction of the likes of Werewolf or Coup or even on a family throw down of Uno. The game has the base mechanics to make it work, but what is going to make it shine is the level of interaction between the players and how they add that little grain of sand that will eventually become a pearl. It's such a difficult thing to achieve perfectly that some of the most complicated games I have played actively discouraged direct communication or interaction in favour of heads down and numbers up. In my opinion, it takes a bit of courage to put a game out there that relies on it. Which takes us to Langskip from Crab Studios, in which as a Viking that fell in battle, you've ended up in Helheim by mistake and need to use a mixture of bluffing and card play in order to make the climb to Valhalla. The rules are fairly simple, you have two cards dealt to you plus an all important reference card. On your turn, you&